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The great strength of this exhibition is its demonstration of the ubiquitous nature of queer art and culture. Timed to remind us that it is only fifty years since the partial decriminalisation of homosexuality following the Wolfenden Report ten...
Visiting a gallery in London during the February half term is a rookie error. In a bid to occupy restless children, and driven inside by the drizzle, the families of London descend on its cultural delights. Most are free,...
There is a scene in Evelyn Waugh’s Brideshead Revisited in which the odious Boy Mulcaster interrogates Charles Ryder, painter and protagonist, as to why he paints pictures. Why, Mulcaster asks, doesn’t Charles simply go out and buy a camera?...

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