Review | Trodden Before by Patricia McCarthy

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Our age is rich in lyric poetry; no age perhaps has been richer. But for our generation and the generation that is coming the lyric cry of ecstasy or despair, which is so intense, so personal, and so limited, is not enough. - Virginia Woolf, ‘Poetry, Fiction and the Future’, 1927

Review | The Fallen by Carlos Manuel Álvarez

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The Fallen is only 136 pages long, but it bursts with resounding voices of unbridled pain. Carlos Manuel Álvarez’s polyphonic novel takes us across a Cuban family, each member with individual chapters — the son, the daughter, the mother, the father [...]

Review | Grace Under Pressure: David Foster Wallace on Tennis

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Many writers have played tennis: Nabokov, Frost, Pound, Hemingway, Theodore Roethke, Randall Jarrell, even Solzhenitsyn in Vermont and Martin Amis today. Like poetry, tennis has strict rules and requires technical skill. It is individual yet social, aesthetically pleasing, intellectual, at times erotic. Despite its formal rituals [...]

Review | Patience by Toby Litt

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In every first-person narrative readers are ultimately trapped in the mind of the protagonist, doomed only to know what they know. In Patience, author Toby Litt takes this concept further by sharing the story of Elliott, who is himself trapped in his mind, as his disability inhibits most of his physical movement [...]

Review | La Fille du régiment at the Royal Opera House

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Donizetti’s familial, romantic French comedy has its fourth revival in Laurent Pelly’s fabulous production at the Royal Opera House. The opera is about Marie, who...

Review | 58th Venice Biennale

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Venice, that city of dreams and the inspiration for artists and writers from Turner to Italo Calvino, sees its 58th art biennale. As thousands...

Review | Il Trovatore at Teatro Real

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Verdi’s Il Trovatore is notoriously difficult for opera houses to produce. Caruso once said that all you needed for Il Trovatore to work was...

Review | Giovanna D’Arco at Teatro Real

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Verdi’s seventh opera, Giovanna D’Arco premiered in 1845 and tells the story of Joan of Arc, an exceptionally popular subject at the time. Madrid’s...

Review | Kiss My Genders & Urban Impulses: Latin American Photography...

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Art endows people with the power to take control of their self-expression, to create themselves and identify themselves in a manner unadulterated by social...

Review | Group Hat and How Chicago! Imagists 1960s & 70s...

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The waves come and go, breaking on the shore at their own singular pace. Grains of sand become whole under their release, imagination finding...

Review | Jellyfish at the National Theatre

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Ben Weatherhill wrote Jellyfish specifically for the actress Sarah Gordy, and after seeing her incredible performance at The National Theatre, you can see why....

Review | Ten Years of Towner Art Gallery

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The building itself is an intricate dance of angles, edges and corners; the colours and lines are a call to life, an open invitation...

Review | Nan Goldin & Jenny Holzer at Tate Modern

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In two exhibitions by Jenny Holzer and Nan Goldin currently on display at the Tate Modern we are presented by two collections of socially...

Review | Orange World and Other Stories by Karen Russell

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Orange World and Other Stories, Karen Russell, Penguin, pp. 288, £14.99 (hardcover) Karen Russell’s third short story collection Orange World is every bit as inventive...

Review | Frank Bowling at Tate Britain

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Born in 1934 in what was then British Guiana (now Guyana), Frank Bowling studied at the Royal College of Art alongside David Hockney and...

Review | Fabulosa! The Story of Britain’s Secret Gay Language by...

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Fabulosa! The Story of Britain's Secret Gay Language, Paul Baker, Reaktion Books, 2019, pp. 320, £15.99 (Hardcover) Polari is a language that was used mainly...

Review | Edvard Munch: Love and Angst at the British Museum

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Known for the haunting anguish of The Scream, Norwegian painter and printmaker Edvard Munch produced less notorious pieces with a similar apocalyptic gloom. The...

Review | Four Quartets at the Barbican

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T. S. Eliot was famously wary about artistic interpretations of his poems. In a letter in 1947 to Dale E. Fern, he wrote that...

Review | Max Beaverbrook: Not Quite a Gentleman by Charles Williams

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Max Beaverbrook: Not Quite a Gentleman By Charles Williams Biteback Publishing, £25 In the age of the internet it is easy to forget the immense influence that...

Review | Stanley Kubrick at The Design Museum

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Bringing iconic films to the main screen, from Clockwork Orange to The Shining, Stanley Kubrick has contributed significantly to 20th century popular culture.  The...

Review | Vivian by Christina Hesselholdt

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Vivian, Christina Hesselholdt, Fitzcarraldo Editions, 2019, pp.192, £12.99 (paperback) “What I produce is so good that if I start showing it to professionals, I’ll never...

Review | Tales of Two Londons: Stories From A Fractured City

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Tales of Two Londons: Stories From A Fractured City, edited by Claire Armitstead, Arcadia Books, 2019, £9.99 It’s Saturday morning in Hornsey and I make...

Review | Salt Slow by Julia Armfield

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Salt Slow, Julia Armfield, Pan Macmillan, 2019, pp.208, £12.99 (hardback) This electric, enthralling collection of short stories from Julia Armfield owns its influences upfront. In...

Review | A Map Towards Fluency & A Few Interiors

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A Map Towards Fluency, Lisa Kelly, Carcanet Press, 2019, pp.112, £8.99 A Few Interiors, Rowland Bagnell, Carcanet Press, 2019, pp.64, £8.99 ------Carcanet’s latest publications include the...

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