Review | Keith Vaughan: On Pagham Beach, Photographs and Collages from...

  It is hard for those brought up in a world of gender fluidity, with debates about who has the right to use which bathroom,...

Review | Melancholia – A Sebald Variation at Somerset House

  Descend the vertiginous spiral staircase to the Inigo Rooms of Somerset House in London between September 21st and December 10th 2017, and you will...

Review | Calder on Paper: 1960 – 1976 at the Saatchi...

  SALON, Saatchi Gallery’s commercial exhibition space, launched earlier this year aiming to present the work of leading international artists who have had limited exposure...

Extending the Range of Pejoratives: Howard Jacobson’s Pussy

  Written in “a fury of disbelief” during the weeks that followed the unlikely election of Donald Trump, Howard Jacobson’s latest novel Pussy dramatizes the...

Review | The Essence of Things at 48 Albemarle Street

Arriving at 48 Albemarle Street you immediately enter a stripped-back environment; surrounded by exposed brick, wood and metal. This industrial interior makes a refreshing...

Review| The Letters Page Vol.2 published by Book Ex Machina

To pick up a book, writes Ioanna Mavrou, is ‘as if stepping out of the world for a beat and taking a much needed...

Extending the Range of Pejoratives: Howard Jacobson’s Pussy

Written in “a fury of disbelief” during the weeks that followed the unlikely election of Donald Trump, Howard Jacobson’s latest novel Pussy dramatizes the...

Matisse in the Studio at Royal Academy of Arts

‘My life is between the walls of my studio’, Matisse once declared. Matisse in the Studio, currently showing at the Royal Academy of Arts,...

Bram Bogart at the Saatchi Gallery

SALON, Saatchi Gallery’s commercial exhibition space, launched earlier this year with a fascinating show by the post-war Japanese artist, Tsuyoshi Maekawa, and in keeping...

Sargent: The Watercolours at the Dulwich Picture Gallery

John Singer Sargent is best known as a painter of portraits in oil. Since childhood, however, he was also a keen watercolorist, and a...

Book Launch at Enitharmon: Stephen Romer and Alan Jenkins

The light, bright space of Enitharmon bookshop in Bloomsbury was filled with jostlings and murmurings as more and more people tried to fit into...

Quotidian Queerness

The great strength of this exhibition is its demonstration of the ubiquitous nature of queer art and culture. Timed to remind us that it...

You Must Change Your Life – The Story of Rainer Maria...

You Must Change Your Life is an enthralling exploration of the complex relationship between two creative giants of art and literature, drawn together in...

Review | Exhilarating Magus: Myth and Poetics in Stephen Yenser’s Stone...

Stone Fruit, Stephen Yenser’s highly anticipated third collection published by Waywiser, dazzles, delights, and enchants with its wordplay, predilection for sound effects, and linguistic...

Poetry London Summer Readings: Rachael Allen, Andrew McMillan, Vahni Capildeo and...

Poetry London’s summer launch opened with an impassioned speech by the poet Karen McCarthy Wood, who is a trustee on the magazine’s board. The...

Review | ArtCircle’s Focusing Space at 48 Albermarle Street

On entering the doorway of 48 Albemarle Street and walking up its makeshift staircase of simple wooden boards you are taken into a world...

Joel Shapiro at Pace London

Walking into the Joel Shapiro exhibition at the Pace gallery is like entering a painting, as a friend of mine said when she first...

Picasso: Minotaurs and Matadors at the Gagosian

The Minotaur was a key figure in Picasso’s imagination and art, so much so that the artist once remarked that ‘If all the ways...

The Vintage Poetry Showcase: Ocean Vuong and Kayo Chingonyi

Ocean Vuong and Kayo Chingonyi’s recent reading is one of the most spectacular that I have attended. R. A. Villanueva introduced the event by...

Faber Reading: An Evening with Emily Berry, Emma Jones, Zaffar Kunial,...

The Crypt on the Green in Clerkenwell Close was beautifully lit with fairy lights, and the low chatter of poetry enthusiasts graced the air....

Lisa Brice at the Stephen Friedman Gallery

In 1959 Yves Klein wrote: “blue has no dimensions.” For him, all other colours could be relegated to specific associative ideas that they arouse....

Howard Hodgkin: Absent Friends at the National Portrait Gallery

According to a new exhibition of Howard Hodgkin’s work at the National Portrait Gallery, one of the artist’s principal concerns throughout his sixty-five year...

Review | Louder Than Hearts by Zeina Hashem Beck

‘Louder than Hearts has it all’, writes Betsy Sholl, judge of the 2016 May Sarton New Hampshire Poetry Prize, ‘compelling language and a sense...

America after the Fall at Royal Academy of Arts

Organised by the Art Institute of Chicago, the Musée de l’Orangerie in Paris and the London Royal Academy of Arts, 'America After the Fall:...