Review | Not Like Their Mothers: Ambai & Uhart

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This autumn, Archipelago Books published two short story collections in translation: A. Ambai’s A Kitchen in the Corner of the House, translated by the late Lakshmi Holmström, and Hebe Uhart’s The Scent of Buenos Aires, translated by Maureen Shaughnessy. Ambai’s and Uhart’s collections reveal each author’s range as a storyteller [...]

Review | Werther at the Royal Opera House

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Massenet’s Werther makes a welcome return to the Royal Opera House in the third revival of Benoît Jacquot’s 2004 production. Based on Goethe’s Die Leiden...

Review | The Intelligence Park by Gerald Barry at the Royal...

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The Royal Opera House seems to be celebrating the career of Gerald Barry this season. In February they are staging his latest opera, Alice’s...

Review | Don Pasquale by Donizetti at the Royal Opera House

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Don Pasquale by Donizetti is a frothy comedy – or at least it should be. This new production at the Royal Opera House by...

Review | The Magic Flute at the Royal Opera House

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Mozart’s Die Zauberflöte returns to the Royal Opera House in the seventh revival of David McVicar’s incredible production. There is good reason that this...

Review | I May Be Stupid But I’m Not That Stupid...

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‘Thanks to art, instead of seeing one world, our own, we see it multiplied...’ Selima Hill is a unique voice in contemporary British poetry, as the title of her latest collection — I May Be Stupid But I’m Not That Stupid — implies, there is more to her than meets the eye. Her poetry is eclectic and electric; it cartwheels through juxtapositions and leaps of logic [...]

Review | The Night of the Long Goodbyes by Erik Martiny

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The Night of the Long Goodbyes, Erik Martiny, River Boat Books, 2020, 282pp, $17.95 (paperback) Erik Martiny’s The Night of the Long Goodbyes is a hugely...

Review | Lucian Freud: The Self-portraits

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Throughout art history, the self-portrait has remained a point of captivation. From Velasquez to Van Gogh, the artist’s rendering of selfhood provides a fascinating insight into the psyche of a figure often shrouded in mystery, revealing to the viewer traits which even the photograph fails to capture [...]

Review | Insurrecto by Gina Apostol

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I’ve always had reservations about reviews that liken books to film. It’s too easy to draw parallels between, say, sweeping visuals, swift or dialogue-driven narrative, and cinematic technique. I’m often left wondering how a novel – the experience of sitting down to read one – can ever really be like cinema [...]

Review | Love, Rage – and Laughter by Alex Diggins

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It is hard to smile at the apocalypse. Extinction Rebellion, the global climate crisis movement occupying cities and social media feeds from Cairo to Melbourne, signs its newsletters: ‘In love and rage’. The climate-induced societal breakdown is, this sign off implies, no laughing matter. Higher ideals and deeper, more searching emotions [...]

Review | Slip of a Fish by Amy Arnold

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Ash, the protagonist of Amy Arnold’s debut novel, is a curious creation; she is fascinated by the etymologies and sounds of language, storing her favourite discoveries in an imaginary ‘word collection’, she swims in an abandoned lake with her daughter Charlie to practice breathing underwater, steals dogs from pubs [...]

Review | Big Love by Balla & The Night Circus and...

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Though Balla, one of Slovakia’s most prominent contemporary novelists, has been compared to Kafka, he might more reasonably be called a nihilistic Etgar Keret (Israeli author of The Nimrod Flipout and multiple other collections of surreal short stories), given the thoroughly ironic [...]

Review | Flesh-Coloured Dominoes by Zigmunds Skujiņš

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On the face of it, Flesh-Coloured Dominoes is a book of two novels spliced together: its chapters alternate between two wildly different narratives. One is a bildungsroman of sorts that sees the Second World War through the eyes of an unnamed first-person narrator, a young orphan growing up in Riga; the other is set in the 18th century in Vidzeme – part of modern-day Latvia – and aptly centres on a very literal, very macabre case of conjoining two odd halves to make a whole [...]

Review | Robyn Denny: Works on Paper

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Charlie Dixon Robyn Denny: Works on Paper Robyn Denny’s work soared with the post-war momentum of 60’s London, helping to define the visual culture of a generation....

Review | After the Formalities by Anthony Anaxagorou

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In ‘Cause’, the second poem in Anthony Anaxagorou’s collection After the Formalities, the poet reclaims the phrase ‘flames lambent’ – an image taken from Enoch Powell’s ‘Rivers of Blood’ speech and quoted by historian David Starkey in a 2011 interview following the London riots – for poetry [...]

Review | Underland by Robert Macfarlane

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How should writers respond to the ecological crisis? Both 'crisis' and the much-contested term ‘Anthropocene’ appear to bring us to the brink: there is, they tell us, no return to a state of innocence. If the possibility of an alternative future ever existed (and some claim it never did), then now it must be foregone [...]

Review | Alvin Ailey Dance Theater Company at Sadler’s Wells

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I first saw the Alvin Ailey Dance Theater Company during a visit to New York between Christmas and New Year in the mid-90s. I was entranced by the troupe and have never since missed a chance [...]

Review | A Frank O’Hara Notebook by Bill Berkson

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A Frank O’Hara Notebook, Bill Berkson, No Place Press, 2019, 278 pp, £35.00 (hardcover) Frank O’Hara’s poetry has previously been described as being written like entries...

Review | Fur Coats in Tahiti by Jeremy Over

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“The best way to live in the present is less carefully”: for better or worse, Jeremy Over’s winningly preposterous fourth collection, Fur Coats in Tahiti, follows its own advice to the letter. On the whole, I think, the better wins out, but let’s start by getting some of the worse [...]

Review | Parsifal at Bayreuth Festspiele

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Uwe Eric Laufenberg's thought-provoking, sometimes flawed production of Parsifal is revived for audiences at the Bayreuth Festspiele. The Bayreuth Festspiele is a type of pilgrimage...

Review | Seen by your fingertips: Queen Mob’s Tea House and...

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Anyone who thinks fiction and poetry are dying art forms needs to stay at home and get online more. As Russell Bennetts wrote in The Digital Critic ‘the revolution might not be televised, but will almost certainly be seen by your fingertips.’ Bennetts’s two literary websites [...]

Review | September 1, 1939: A Biography of a Poem by...

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September 1, 1939: A Biography of a Poem, Ian Sansom, Harper Collins Publishers, 2019, 352 pp, £16.99 (hardback) W.H. Auden’s image in the popular imagination...

Review | William Blake at Tate Britain

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Thought to be mad by Wordsworth but considered a genius by Coleridge, William Blake (1757 - 1827) was an oddity during his lifetime — a genius engraver of images with a penchant for public nudity and political radicalism, a poet who would break off [...]

Review | The Nowhere Man by Kamala Markandaya

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"Real danger is never born of anything concrete. There are only words in the beginning," writes Kamala Markandaya. There were 71,251 race-related hate crimes recorded in 2017/18, according to a Home Office report. That’s an average of 195 racist incidents every day [...]

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