‘the global capitalists / were thrilled, too, because to make / every consumable product organic, // a veritable living thing, is to guarantee / perpetual repeated / obsolescence’
New poetry from Stephen Kampa.
‘the global capitalists / were thrilled, too, because to make / every consumable product organic, // a veritable living thing, is to guarantee / perpetual repeated / obsolescence’
New poetry from Stephen Kampa.
‘So what that it was okay to call it / a day? Does delight ever feel done? And hell / will come, whether or not you schedule it.’
New poetry by Nasim Luczaj.
‘We’re going now, I said, // to say something definite. / And when the car began its song / the street sang it back, // all lamentation.’
New poetry by Rachel Curzon.
‘I don’t want to exaggerate, / but I could be happy anywhere. Together, / our losses make a home, wouldn’t you say?’
New poetry by Daniel Addercouth.
‘No one wakes up on // top of an oak tree and everyone is convinced, for a / moment an angel is sitting next to her on the branch.’
Two poems by Sam Harvey, shortlisted for The London Magazine Poetry Prize 2025.
‘We talk lightly as if we know the outcome / of things, the floor of knowledge // an oily ghost that leaves me when they shift / gears into medical jargon.’
Winning poem from The London Magazine Poetry Prize 2025.
‘Let’s talk about our terrible / childhoods, I say. Over tiramisu, Chekhov asks me to marry him / and I say yes, of course.’
New poetry by Jo Bratten.
‘Because poetry must use language, which is inherently opaque and unstable, it has to be more precise than mathematics. For poets, there is no higher morality than precision.’
Lee Seong-Bok on poetry.
‘Yes I understand the world; it doesn’t mean I want / to do it. It’s hard!’
Two poems by Miruna Fulgeanu.
‘For the grass to reach the mirror, you cannot be proximate. / It is generous. Both of us, almost missing. / We seem not to go or stay.’
Two poems by Tim Tim Cheng.
‘No sudden catastrophe; witness / years of crumbling stone, / rotting libraries, addled brains.’
New poetry by Graham Allison.
‘I’ll be young with you still. One stroke of pen / cancels a decade: our unfaithful room / evicts new tenants, guts our suitcases.’
Two poems by James Appleby.
‘Did you know the T-Rex / was quite likely an excellent swimmer? / Its skeletal frame light enough to float.’
New poetry by Meredith MacLeod Davidson.
‘I’m the way she likes anyone left behind — / undeserving, falling.’
New poetry by Michael Martin.
‘She’s losing tins of custard powder & / baby formula and she’s crushing the body / & blood of Christ under her arm while / John Junior tucks into a doughnut.’
New poetry by Laura Varnam.
‘The train driver’s one straight line, as / he calls to mind his schoolboy love / or stillborn child whose name haunts / like an abandoned station.’
New poetry by Christopher M James.
‘But if she was brown-eyed or blue-eyed, / they will not recall, only that her eyes / asked a question that no one could answer.’
New poetry by Damen O’Brien.
‘If all the protesters were smiling serenely, / would a scowling woman become / the punctum? Or is a scowling woman / too much of a cliché to be a punctum?’
New poetry by Lisa Kelly.
‘What figure / is the chance that a poet can appear / on praise.’
New poetry from Nicholas Hogg.
‘And again – I arrive to set out my fears, / to still rot in watery luck.’
New poetry by Holly Pollard.
‘Of justices, karma is the most poetic— / a magistrate who makes us wear / our wrongs: albatrosses, ugly charms.’
New poetry by Jane Zwart.
‘I’d rather let roots slip between my ribs / and knit these bones into the black soil / to keep them still and ease what restlessness/ might remain.’
New poetry by Michael Bazzett.
‘I feed the birds / before I feed myself.’
New poetry by Luciana Francis.
‘Like clouds, I take my colour from the air.’
New poetry from Sylee Gore.