Review | Old Food by Ed Atkins & Dark Satellites by...

Want to feel young? Fitzcarraldo Editions – whose small roster of authors includes two of the last five Nobel laureates for literature – is less than five years old. Its first book, Matthias Enard’s Zone, was published in August of 2015, which makes the independent publishing house exactly three months younger than Mad Max: Fury Road [...]

Staff Picks – March 2018

Introducing Staff Picks! Recommendations for the very best in arts, culture and literature from the staff at The London Magazine.   Steven O'Brien - Editor Boneland -...

Staff Picks – August 2018

Staff picks for the month of August at The London Magazine! Here's what we've been reading recently:   Steven O'Brien - Editor  The Music of Chance -...

Staff Picks – July 2018

The London Magazine's July Staff Picks! Recommendations for the very best in arts, culture and literature from the staff at The London Magazine. Steven O'Brien...

Fiction | Night As It Falls by Jakuta Alikavazovic

Paul couldn’t believe that she lived in a hotel. Better yet, or worse, he had known it, then forgotten. They talked about her on campus, rumours had preceded her, so much that her body already existed in whispers, but Paul didn’t care about gossip. He cared about girls, and women. Their mouths, their flesh. He was eighteen years old, and living multiple lives. By day he went to university, he stared at huge blackboards or whiteboards, he traded and compared notes with [...]

Interview | Jane Draycott on sound poetry, translation and poetic process

'It’s dark in here and forest green: Britannica, sixteen oak trees in a London living room, / the little girl, my mother, in the bookcase glass. / Italy, Ithaca, Izmail, Japan, each page a mainsail, / turning, HMS Discovery – none of the rivers of southern Italy is of any great importance.' - Jane Draycott, ‘Italy to Lord’. British poet Jane Draycott is interested in sound poetry and collaboration. Her translation of the Middle English poem Pearl won the Stephen Spender Prize [...]

Essay | Vonnegut’s ‘Black Humor’

I had made her so unhappy that she had developed a sense of humor, which she certainly didn’t have when I married her . . . This line from Bluebeard’s narrator remarks on another kind of humor, the black humor Vonnegut is best known for. Its source is helplessness and despair. He explains: Laughter or crying is what a human being does when there’s nothing else he can do [...]

Staff Picks | April 2020

There has arguably never been a better time for reading, and we at The London Magazine have plunged ourselves into books of all shapes...

Feature | 7 Alternative London Novels

London. Michaelmas term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if...

Contributor’s Picks – April/May 2018

Introducing Contributor's Picks! Recommendations for the very best in arts, culture and literature from the writers for The London Magazine April/May 2018 issue. Read...

Interview | Seán Hewitt on Tongues of Fire, the Androgynous Lyric...

I’m not actually a fan of Wordsworth. Of all the grand Romantic poets, I love John Clare. What I balk at with Wordsworth might be something that I’m concerned about in my own writing. We do this a lot. I say I don’t like people that are perhaps similar to me. Or I recognise a tendency in myself for the Wordsworthian, which is something I try to hold back on. Perhaps when I read Wordsworth it makes me cringe because I recognise my own tendencies to want [...]

Fiction | The Swallowed Man by Edward Carey

I am writing this account, in another man’s book, by candlelight, inside the belly of a fish. I have been eaten. I have been eaten, yet I am living still. I have tried to get out. I have made many attempts. But I must conclude that it is not possible. I am trapped within an enormous creature and am slowly being digested. I have found a strange place to exist, a cave between life and death. It is an unhappy miracle. I am afraid  of  the  dark. The dark is coming for me [...]

Essay | Proust’s Secrets Revealed

Marcel Proust and his oeuvre are at once overexposed and mysterious. Entire books and studies have explored the minute details of his personal life and literary work. There is a book about what cures and medications he took specifically for his insomnia. There is a hundred-page academic study dedicated solely to the eight-word first sentence [...]

Contributor’s Picks – June/July 2018

Introducing Contributor’s Picks! Recommendations for the very best in arts, culture and literature from the writers for The London Magazine June/July 2018 issue. Read...

Interview | Sam Riviere on Martial, authenticity and stealing

"I discovered Martial’s poetry by searching for the number 104 for an unrelated reason, which was recorded on Wikipedia as being the year he probably died. I trust this kind of chance occurrence, and it led me to reading some of the epigrams, which I imagine I had vaguely heard of before. I responded immediately to their playfulness, sarcasm, brevity, devotion to social commentary, and general refusal of seriousness – especially things like Martial’s own admission that his poems aren’t even that good, a lot of the time." [...]

Interview | Quentin Blake: Anthology of Readers

Best known for his illustrations of Roald Dahl’s books — including Fantastic Mr Fox, Matilda, The BFG and Charlie and the Chocolate Factory amongst others — Quentin Blake's latest exhibition, Anthology of Readers, turns his eye to book-lovers [...]

Contributor’s Picks August/September 2018

Here are the latest Contributor’s Picks! Recommendations for the very best in arts, culture and literature from the writers for The London Magazine August/September...

Interview | Chris McCabe: Poems from the Edge of Extinction

Chris McCabe is the National Poetry Librarian. In 2013 he was shortlisted for the Ted Hughes Award and his works include numerous poetry collections, including Speculatrix (2014) and The Triumph of Cancer (2018). His new poetry anthology Poems from the Edge of Extinction, published by Chambers this year, collects poems from endangered languages [...]

Fiction | Asphyxia by Violette Leduc

My mother never gave me her hand… She always helped me on and off pavements by pinching my frock or coat very lightly at the spot where the armhole provides a grip. It humiliated me. I felt I was inside the body of an old horse with my carter dragging me along by one ear… One afternoon, as a gleaming carriage sped past, splattering the leaden summer with its reflections, I pushed the hand away right in the middle of the road. She pinched the cloth [...]

Spotlight VI: Small Presses | British Book Awards Special 2020

With publishers big and small struggling through the current crisis, it is important for us to shine a spotlight on small presses, the work that they do and the books and authors that they publish. Recently recognised among the nine regional and country winners in the Small Press of the Year Award at the 2020 British Book Awards, today we shine the spotlight on four of the best small presses currently publishing in the UK and Ireland: Jacaranda Books, Sandstone Press, Comma Press and The Lilliput Press [...]

Interview | Sinéad Gleeson on Solidarity in Sickness, Isolation and Empathy

Jack Solloway Sinéad Gleeson on Solidarity in Sickness, Isolation and Empathy   With the UK government currently advising ‘social distancing’ and the country expecting further preventative...

Interview | Joe Dunthorne on Cliché, Adulting and Coming of Age

What do we even want from coming of age? Do we want to be wise, mature people, or do we just care about ticking off a list of pre-agreed markers: homeowning, or a long-term relationship, or whatever it is? Ultimately, you can be a child, you can be the most immature and undeveloped human, and have achieved all those things. So obviously it’s a problematic term. Obviously, Catcher in the Rye is the ultimate touchstone for literary coming-of-age for most people [...]

Interview | Jonathan Simons on Analog Sea, Neo-Romanticism and ‘The Contemplative...

'The discomfort of boredom is never something human beings have liked, but reality and nature and the lack of technology, and the rudimentary qualities of technology, pushed back on us. The friction that we want to eradicate is defined by boredom and old age and sickness and death, and we need these things to be human, and we need these things to have interesting, vital arts and letters as well.'

Fiction | “Smack” from Salt Slow by Julia Armfield

The following text is an extract from the story “Smack”, taken from Julia Armfield’s debut collection Salt Slow, published by Picador: 'The jellyfish come with the morning – a great beaching, bodies black on sand. The ocean empties, a thousand dead and dying invertebrates, jungled tentacles and fine, fragile membranes blanketing the shore two miles in each direction. They are translucent, almost spectral, as though the sea has exorcised its ghosts [...]'

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