Essay | W.H. Auden: The Man Who Spoke for the Dumb...

One of the hallmarks of a great artist is their often lugubrious disdain for their own work. The reclusive French composer Paul Dukas was self-critical to the degree that he only allowed fifteen of his works to be published. Needless to say, they have become much loved [...]

Interview | Gryphon Rue on Calder Stories

Calder Stories at the Centro Botín, Spain, is a major exhibition spanning five decades of Alexander Calder’s career, curated by Hans Ulrich Obrist, and...

Essay | On the Benefits of Dancing Naked in Public

In the pub, Jemima raises both her arms above her, then swings one back, turning her head to follow the arc it makes in the air. “Something like that,” she says, sitting back down and taking a chip from the plate between us. We are attempting a reconstruction. What we are attempting to reconstruct is a theatre show called Trilogy, made by an artist called [...]

Essay | Travel Writers as Citizens of Nowhere by Cecily Blench

At the Conservative Party Conference in 2016, shortly after the Brexit vote, the new Prime Minister Theresa May gave a speech in which she said these words: ‘If you are a citizen of the world, you are a citizen of nowhere’. She made this point while trying to address the concerns of those who voted for Brexit because of immigration [...]

Spotlight V: Journals Edition | LE GUN / Hotel

The London Magazine has long been a champion of emerging writers and independent publishers, stretching back to the 1950s and 60s, when young writers...

Review | 58th Venice Biennale

Venice, that city of dreams and the inspiration for artists and writers from Turner to Italo Calvino, sees its 58th art biennale. As thousands...

Archive | Apollinaire 1880-1918 by Simon Watson Taylor

The following essay was first published in The London Magazine, November 1968, Volume 8, No. 8, with accompanying illustrations, and edited by Alan Ross...

Review | Kiss My Genders & Urban Impulses: Latin American Photography...

Art endows people with the power to take control of their self-expression, to create themselves and identify themselves in a manner unadulterated by social...
The Nowhere Man cover

Introduction to Kamala Markandaya’s The Nowhere Man

The following essay is the introduction to the latest edition of The Nowhere Man, a novel by Kamala Markandaya, first published in 1972, now...

Review | Group Hat and How Chicago! Imagists 1960s & 70s...

The waves come and go, breaking on the shore at their own singular pace. Grains of sand become whole under their release, imagination finding...

Review | Jellyfish at the National Theatre

Ben Weatherhill wrote Jellyfish specifically for the actress Sarah Gordy, and after seeing her incredible performance at The National Theatre, you can see why....

Review | Ten Years of Towner Art Gallery

The building itself is an intricate dance of angles, edges and corners; the colours and lines are a call to life, an open invitation...

Essay | Low Fidelity: The Case for Shakespeare’s Reinvention by Katrina...

Katrina Bennett Low Fidelity: The Case for Shakespeare's Reinvention Perhaps more so than any other Elizabethan writer, William Shakespeare was well aware of the necessity to...

Interview | Kevork Mourad: Seeing Through Babel

A new exhibition by the Syrian-Armenian artist Kevork Mourad is being staged at The Ismaili Centre, in partnership with the Aga Khan Museum, Toronto,...

Fiction | The Prisoner by Tammye Huf

Tammye Huf The Prisoner I set my alarm clock for midnight, because at one in the morning we wanted to slaughter.  It rang muffled, under my...

Review | Nan Goldin & Jenny Holzer at Tate Modern

In two exhibitions by Jenny Holzer and Nan Goldin currently on display at the Tate Modern we are presented by two collections of socially...

Review | Orange World and Other Stories by Karen Russell

Orange World and Other Stories, Karen Russell, Penguin, pp. 288, £14.99 (hardcover) Karen Russell’s third short story collection Orange World is every bit as inventive...

Review | Frank Bowling at Tate Britain

Born in 1934 in what was then British Guiana (now Guyana), Frank Bowling studied at the Royal College of Art alongside David Hockney and...

Interview | Alan Trotter

Alan Trotter is a writer based in Edinburgh. Muscle, his debut novel, was awarded the inaugural Sceptre Prize for a novel in progress. He...

Essay | Memories of the 60s by Leonard Quart

Leonard Quart Memories of the 60s I have been trying hard to emotionally survive the Trump era, while living with feelings of revulsion and hopelessness about...

Review | Fabulosa! The Story of Britain’s Secret Gay Language by...

Fabulosa! The Story of Britain's Secret Gay Language, Paul Baker, Reaktion Books, 2019, pp. 320, £15.99 (Hardcover) Polari is a language that was used mainly...

Review | Edvard Munch: Love and Angst at the British Museum

Known for the haunting anguish of The Scream, Norwegian painter and printmaker Edvard Munch produced less notorious pieces with a similar apocalyptic gloom. The...

Interview | Scott Eaton | Artist+AI

A truly ground-breaking Artificial Intelligence art exhibition has recently been on display at Somerset House. Entitled Artist+AI: Figures & Form in the Age of Intelligent...

Spotlight IV: Penned in the Margins

The London Magazine has long been a champion of emerging writers and independent publishers, stretching back to the 1950s and 60s, when young writers...

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