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Lucy Morris


Interview | Jolyon Fenwick and Liza Campbell on ‘Life is Too Short to Live in Black and White’

Jolyon Fenwick and Liza Campbell on 'Life is Too Short to Live in Black and White' On the 25th of October, artist Jolyon Fenwick and artist and writer Liza Campbell are coming together for the first time to present the joint exhibition Life is Too Short to Live In Black and White. I had the opportunity to talk to both...

Colombian Edition – Final Call for Submissions and Writer Announcement

COLOMBIAN EDITION 2021 - FINAL CALL FOR SUBMISSIONS AND WRITER ANNOUNCEMENT We announced in April this year that we are pleased to announce a special upcoming Colombian Edition of the magazine to showcase Colombia's literary, artistic and historical culture. The Colombian Edition will be printed in English for a London launch, while a version will also be printed in Spanish, to...

Fiction | Crossed Out by Ari Raine

The following piece is published as part of our TLM Young Writers series, a dedicated section of The London Magazine's website which showcases the work of exceptional young talent aged between 13-21, from the UK and beyond.Ari RaineCrossed Out It’s not a crime to be curious. That simple fact is what’s led him to end up stuffing his knapsack with an...

Review | Sleepless: A Musical Romance at Troubadour Wembley Park Theatre

Sleepless: A Musical Romance, based on the classic nineties film Sleepless in Seattle starring Tom Hanks and Meg Ryan, had its official opening night at the Troubadour Wembley Park Theatre last night (01 September). Originally slated to premiere in March earlier this year, the show has the unenviable task of serving as an experiment for theatre re-openings across the country, with social distancing still a specified requirement for indoor venues [...]

Interview | Lara Williams on Supper Club, Feasting and Taking Up Space

Roberta takes up cooking to avoid succumbing to loneliness at university; the start passion that later develops into her co-hosting secret dinner parties filled with food, alcohol, drugs, sex, and petty crimes with a group of defiant young women, known as the Supper Club. Hungry women gather to gorge themselves, to free themselves. And as their bodies expand, so do their desires. Winner of The Guardian’s Not The Booker Prize 2019 and best books of the year in Vogue [...]

Interview | Rosanna Amaka on The Book of Echoes and Brixton in the 1980s

Rosanna Amaka, born to African and Caribbean parents, began writing her debut novel twenty years ago to give voice to the Brixton community in which she grew up, a community fast disappearing as a result of gentrification and emigration. The Book of Echoes unearths the pain of the past through the narration of an enslaved African before moving between worlds as the scars of history present themselves in the future lives of Michael and Ngozi. Amaka’s searing debut hums with heartache and [...]

Update | A Note on COVID-19

Dear Reader, We are all facing extraordinary circumstances, and at The London Magazine we think it is important to remain open and transparent at a time when things can feel frightening and uncertain. Sadly, many of our beloved bookshops have had to temporarily close their doors, however [...]

Essay | Kafka & Camus by Jeffrey Meyers

It is odd that the two book-length studies of Albert Camus’ The Stranger (1942), by English Showalter and Alice Kaplan, do not discuss the profound influence of Franz Kafka’s The Trial (1925). Other critics have emphasized, denied or deplored this influence. Herbert Lottman notes that while writing his novel Camus 'had read and reread Kafka, whose work seemed to him prophetic, one of the most significant of our time.' The critic Jean Paulhan - thinking of Hemingway’s simple sentences [...]

Review | Not Like Their Mothers: Ambai & Uhart

This autumn, Archipelago Books published two short story collections in translation: A. Ambai’s A Kitchen in the Corner of the House, translated by the late Lakshmi Holmström, and Hebe Uhart’s The Scent of Buenos Aires, translated by Maureen Shaughnessy. Ambai’s and Uhart’s collections reveal each author’s range as a storyteller [...]

Interview | Keith Coventry: The Old Comedy

Eric BlockKeith Coventry: The Old Comedy This month sees the opening of UPSTONE SOHO, a new gallery in the heart of Soho. Its inaugural show is by acclaimed British artist Keith Coventry, who will be showing a suite of new collage works. These works combine lollipop-like sticks that have crude humour printed on them - referencing the ‘Old Comedy’ from ancient...

Essay | Reflections on The Brothers Karamazov by Patrick Maxwell

In his masterpiece, Enemies of Promise (1938), Cyril Connolly distinguishes between two different styles of writing, which he terms as the ‘Mandarin’ and the ‘Vernacular’. In the former group: Edward Gibbon, Virginia Woolf, and James Joyce; among the latter: William Hazlitt, George Orwell, and Christopher Isherwood. Fyodor Dostoevsky is a writer of neither groups [...]

Interview | Cecilia Brunson Projects Founder on I Am Awake by Feliciano Centurión

Eric BlockCecilia Brunson Projects Founder on I Am Awake by Feliciano CenturiónCecilia Brunson opened her eponymous Bermondsey-based gallery in 2015, providing a much needed European platform for historical and contemporary Latin American artists. A champion of art from this region, Cecilia Brunson Projects has introduced London audiences to major figures of Modern Contemporary art such as Alredo Volpi, Coco Fusco...

Review | The Night of the Long Goodbyes by Erik Martiny

The Night of the Long Goodbyes, Erik Martiny, River Boat Books, 2020, 282pp, $17.95 (paperback) Erik Martiny’s The Night of the Long Goodbyes is a hugely enjoyable and hugely disturbing novel. It is multi-faceted, ambitious, and very successful. Set sometime in the mid-twenty-first century, it begins as a political and social dystopia. (Here, on the margin, let me note that one...

Interview | George Salis: Sea Above, Sun Below

Author George Salis has just published his first novel with River Boat Books. Sea Above, Sun Below is described as containing the following elements: ‘Upside-down lightning, a group of uncouth skydivers, resurrections, a mother's body overtaken by a garden, aquatic telepathy, and a peeling snake-priest’. Read on to get a taste of this oneiric world [...]

Essay | Gentrifying New York by Leonard Quart

The New York one walks through these days is unrecognizable from the city that existed a decade ago. New developments are occurring at a breakneck pace throughout the city, and while much of it is happening on an individual level, some of it is lumped into massive, overweening projects rising all over the five boroughs. They rise even in out-of-the-way and broken neighbourhoods which, in the past, one couldn’t imagine would attract expensive development. But now almost every piece of the city is ripe for development and profit – even in the impoverished South Bronx, large residential and retail project Bronx Point (offering affordable [...]

Review | Lucian Freud: The Self-portraits

Throughout art history, the self-portrait has remained a point of captivation. From Velasquez to Van Gogh, the artist’s rendering of selfhood provides a fascinating insight into the psyche of a figure often shrouded in mystery, revealing to the viewer traits which even the photograph fails to capture [...]

Interview | Quentin Blake: Anthology of Readers

Best known for his illustrations of Roald Dahl’s books — including Fantastic Mr Fox, Matilda, The BFG and Charlie and the Chocolate Factory amongst others — Quentin Blake's latest exhibition, Anthology of Readers, turns his eye to book-lovers [...]

Interview | Bahia Shehab: At the Corner of a Dream at the Aga Khan Centre Gallery

Eric BlockBahia Shehab: At the Corner of a Dream at the Aga Khan Centre GalleryThe acclaimed Egyptian-Lebanese artist, designer, educator and street art activist Bahia Shehab’s work first came to global attention when she played an active role in the Arab Spring in 2011. Shehab used calligraffiti stencil works which she sourced from words written on mosques, plates, textiles, pottery and books from various countries, and spray...

Review | Love, Rage – and Laughter by Alex Diggins

It is hard to smile at the apocalypse. Extinction Rebellion, the global climate crisis movement occupying cities and social media feeds from Cairo to Melbourne, signs its newsletters: ‘In love and rage’. The climate-induced societal breakdown is, this sign off implies, no laughing matter. Higher ideals and deeper, more searching emotions [...]

Interview | Richard Baker on winning the 2019 HIX Award

This year’s HIX Award attracted more than 600 entrants and, as founder Mark Hix admits, it was very tough trying to pick a winner from the final fifteen. After much deliberation, the judges of the 2019 HIX Award, Tate Director Maria Balshaw and Head of the Royal Academy Schools Eliza Bonham Carter, selected Richard Baker for his painting Hall...

Poetry | The Scientist by Andrew Wynn Owen

Andrew Wynn OwenThe Scientist Before the time of skiing on Europa,               Enceladus still a far-flung starry dream, When humankind had met no interloper               To shake its trust in being God’s only scheme – When hope was cheap (since all the wildest hoper               Concocted was...

Review | Slip of a Fish by Amy Arnold

Ash, the protagonist of Amy Arnold’s debut novel, is a curious creation; she is fascinated by the etymologies and sounds of language, storing her favourite discoveries in an imaginary ‘word collection’, she swims in an abandoned lake with her daughter Charlie to practice breathing underwater, steals dogs from pubs [...]

Review | Robyn Denny: Works on Paper

Charlie DixonRobyn Denny: Works on Paper Robyn Denny’s work soared with the post-war momentum of 60’s London, helping to define the visual culture of a generation. Whilst Denny is perhaps better known for large scale murals, including public installations, Robyn Denny: Works on Paper sheds new light on a previously overlooked element of his practice. Spanning the length of the artist’s...

Essay | Tony Harrison: Poetry & Class

Patrick MaxwellTony Harrison: Poetry & ClassThe use of poetry as a form of class war has arguably never had particularly significant results in much of literary history, perhaps due to the fact that vitriol and verbose anarchy make it difficult for prose and poetry to endure. However, Tony Harrison's poetry can be seen as one of the exceptions to this generalisation.  Harrison's...

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