Poetry | My Name is Dai by Will Harris

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    Will Harris


    My Name is Dai

    I heard him say his name was die, and seconds later that it was short
    for David, spelt D-A-I. We had just sat down when he walked up to me
    and Susie. He said he recognized her from the National Portrait Gallery.
    The one with the large forehead above the door. People miss it.
    The sad smile. Beer sloshed against the edges of his glass like a fish trying to
    escape its bowl, but in this case the fish was dead and only looked to be
    alive because of Dai’s swaying. There are people who relieve themselves
    of information like a dog pissing against a streetlamp to mark out
    territory, urination no longer in the service of the body, providing no
    relief. Likewise, conversation. Dai was a type of Ancient Mariner.

    It was in his bones. He’d been working on a site with Polish builders
    and it was one of their birthdays. He mimed plunking bottles on the table.
    Vodka. Whole bottles? I’m Welsh, he said. I was born on a mountain.
    Between two sheepdogs
    . He started talking about the village he grew up
    in, how happy he was among the meadows and milking cows, how
    unhappy he was at school. You might’ve heard of one boy from school.
    A right goody. Spoke like Audrey Hepburn or Shakespeare. We all bullied
    him, but my mam would say why don’t you be like Michael, why don’t you
    be like Michael. Michael bloody Sheen. Michael’s shirts were always
    clean and ironed. Anthony Hopkins, he was a local too. A tiny village,

    and who came out of it? Those two and me. You know, I probably know
    more words than anyone in this pub. Look at them. You think any of these
    cunts can spell verbiage?
    He spat out each letter – V-E-R-B-I-A-G-E
    and in the act of spelling became self-conscious. He turned to Susie.
    What do you do? She was a writer so he told her more words. I said
    I taught a little and wrote. Teach me, he said. Go on. But I couldn’t think of
    anything wise or useful to tell Dai. On the verge of tipping over, he
    held a hand out towards us. Tenderness, he said, try a little tenderness,
    and then repeating it, half singing it, he said it in a voice both louder
    and more tender. That’s my advice. You know who that is? Otis Redding.

    Try a little tenderness, mmm nuh uh uh. That was when Susie saw
    the haze descend. Like an explosion in a quarry the inward collapse
    rippled out across his face, throwing clouds of dust into the sky.
    I’m sorry. A man shouldn’t cry. I haven’t cried since I was a boy.
    I haven’t . . . He stopped. A man should be a brick, a boulder. He made
    his hand into a fist like he was playing rock-paper-scissors in the
    schoolyard. My ex-wife died last month. The funeral was yesterday.
    We were together twenty years but her family, her bloody family,
    wouldn’t let me near it. God,
    he said, I loved that woman. He couldn’t
    say her name. He was swaying. I got the impression that he saw

    his life as a sea voyage during which he’d done many strange, inexplicable
    and stupid things, of which shooting an albatross was one. But perhaps
    he knew it was better to have shot that albatross through the heart
    and be able to talk about it than to bear it having entered his life and
    gone. It was then I saw the TV and pointed. Look! Michael Sheen.
    It was true. There he was on The One Show in a freshly ironed shirt,
    smiling at Matt Baker. Dai turned around. I’m sorry. I don’t know
    what came over me. I need some air.
    He stared at us. You’re writers,
    he said. You should write about this. And though it may have been
    unfair, I thought about how many people he’d said this to before.

    The two poems featured here are reproduced with permission from the collection RENDANG by Will Harris (Granta, 2020).

    For more information and to buy RENDANG, visit Granta’s website.

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    Will Harris is an Assistant Editor at The Rialto and a fellow of The Complete Works III. Published in the Bloodaxe anthology Ten: Poets of the New Generation, he was featured in ES Magazine as part of the ‘new guard’ of London poets. His poem ‘SAY’ was shortlisted for the Forward Prize for Best Single Poem 2018, and he won a Poetry Fellowship from the Arts Foundation in 2019. His debut pamphlet of poems, All this is implied (HappenStance, 2017) was joint winner of the London Review Bookshop Pamphlet of the Year and shortlisted for the Callum Macdonald Memorial Award by the National Library of Scotland. Mixed-Race Superman, an essay, was published by Peninsula Press in 2018 and in an expanded edition by Melville House in the US in 2019. His first full poetry collection, RENDANG, is forthcoming from Granta in the UK in February 2020 and from Wesleyan University Press in the US later in the year. He is based in London.

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