“Matisse would use the same vase in Safrano Roses at the Window just one year later, in 1925, in a painting that has a similar concern with dusky pink and blue colouring. Here, the blue swatches of paint on the vase chime with the bowl to its right, which originally had a white interior, and also reflect the aquamarine movements of the sea beyond the window.” | Suzannah V. Evans

“SALON, Saatchi Gallery’s commercial exhibition space, launched earlier this year with a fascinating show by the post-war Japanese artist, Tsuyoshi Maekawa, and in keeping with its policy of staging museum standard exhibitions by historically important artists, it is now presenting the work of the Dutch-born Belgian artist Bram Bogart (1921 – 2012).” | Amani Noor Iqbar 

“Oh my London how I have loved you. I thought it was the boys, then the men, then the babies I loved but it was you all along. The boys and the men and the babies changed unrecognisably over the years but you remain constant.” | Sally Emerson

“This celebration of showmanship and sensitivity, of creative potential and mournful loss comes in from the margins to become the shared history of all our lives, everyday.” | Laurel Forster

“Princes, prefects, urchins and poets; these are just a few in a court of luminaries setting sail to Venice. But all is not as it seems, for this royal court is not to be found on the passenger list – all are actually cargo, nestled safely below deck.” | Lucy Binnersley

Stone Fruit, Stephen Yenser’s highly anticipated third collection published by Waywiser, dazzles, delights, and enchants with its wordplay, predilection for sound effects, and linguistic brilliance.”
| Hélène Cardona

“I think that competition judging is like editing: you have to do in a spirit of utmost integrity and enthusiasm. You have to be looking for the best work, and to feel a leap of enthusiasms when you discover it.” | Theophilus Kwek

You Must Change Your Life is an enthralling exploration of the complex relationship between two creative giants of art and literature, drawn together in Paris at the birth of a new century.”
| Will Stone

“After reading her ‘state-of-the-nation’ poem ‘Remains of the Day’, written after the referendum result a year ago, the evening ends with a flood of people leaving the room, talking energetically about the poetry they had heard, and clutching copies of Poetry London.” | Suzannah V. Evans

twitter

sign-up