‘As someone of mixed heritage, I contain or embody the oppressor and the oppressed.’
Joseph Williams interviews Zakia Sewell.
‘As someone of mixed heritage, I contain or embody the oppressor and the oppressed.’
Joseph Williams interviews Zakia Sewell.
‘The novel’s central question is this: can afflicted people find community and security outside of the households they were born into, or is everyone willing to manipulate and deceive those around them if the situation calls for it?’
Fonie Mitsopoulou reviews Mieko Kawakami’s Sisters in Yellow.
‘I lean on the Clive James idea that a poem is the only art form where you can order a coffee, and even before the drink has gone cold, you could have written something that will still be read in five hundred years’ time.’
Rishi Dastidar in Conversation with Sarah Howe.
‘Someone who can’t read a book cannot deliberate, cannot think and cannot conceptualise, and therefore is a threat. We couldn’t have picked a worse time to become more stupid than when we needed more intelligence.’
Alex Dommett speaks to Will Self.
‘there were war criminals around. that was / in the air. in our ice cubes. it made you feel like a decent guy.’
New poetry by Nathaniel Calhoun.
‘All those who disappeared had to come back. Or at least, they had to announce their intention to disappear before they disappeared. Otherwise, how would anybody know?’
Awarded second place in the Brick Lane Bookshop Short Story Prize 2025, ‘The Overpass’ by Jiaqi Kang.
‘And when // they upped your dose of anaesthetic, from lucid haze to euthanasia, / it was almost a mercy.’
New poetry by Jasmine Gibbs.
‘Perhaps, in Wuthering Heights, Nhất Linh saw a likeness of what was happening around him: endless divisions and cycles of violence, one side propped up as the opposite of an oppressive other, only to show itself just as capable of oppression as that sworn enemy.’
Nguyễn Bình on Nhất Linh’s Vietnamese translation of Wuthering Heights.
‘“Fearsome” is a word I heard almost as soon as I stepped into the gallery. And perhaps this is a good corrective to the soft, all-giving image of Hawai‘i as the paradisal realm of flower-garlanded aloha. There isn’t a hula girl anywhere in sight here.’
Alex Wong reviews ‘Hawai‘i: A Kingdom Crossing Oceans’ at the British Museum.
‘the global capitalists / were thrilled, too, because to make / every consumable product organic, // a veritable living thing, is to guarantee / perpetual repeated / obsolescence’
New poetry from Stephen Kampa.
‘History in Minor Black Figures is not so much a ‘vaster social context’ than something to be looked at, discussed and then turned away from. Like a painting, or a petri dish.’
Joseph Williams reviews Brandon Taylor’s Minor Black Figures.
‘It seems as though we have gone through the painting and are living inside the vanishing point: creating the means of our own self-effacement, using them, bemoaning their existence and continuing to use them anyway.’
Zoe Guttenplan on invisible media, AI and the age of sameness.
‘In his own life, money had been nearly but never wholly absent, manifested in quantities of just-barely- and almost-enough.’
Short fiction by Adrian Nathan West.
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On The London Magazine podcast, we speak to brilliant writers, poets and artists about their craft, inspiration and career so far. New episodes every month.
Ann Goldstein discusses the oxymoron of the ‘celebrated translator’, her early encounters with Italian through Dante and the story of how she became Ferrante’s translator. Goldstein reflects on Ferrante’s unique syntax and style, as well as the broader challenges of Italian–English translation.
‘This is where I say to any budding writers out there: write historical fiction!’
Gurnaik Johal on The London Magazine Podcast.
‘One of the things that the novel is about is different forms of chronology that we mark things by.’
Leo Robson on The London Magazine Podcast.
The London Magazine has a publication history spanning almost three hundred years, and has featured work by some of the most prominent names in literature, from John Keats to Hilary Mantel. In this curated selection, we share our favourite pieces from the TLM archive.
The February 1962 edition of The London Magazine was dedicated to poetry.
Editor Alan Ross spoke to several poets at the time about their craft and thoughts on poetry, including Robert Graves, Philip Larkin, Derek Walcott, Ted Hughes, Sylvia Plath and more.
‘The real merit of British painting is that it is at its best romantic, unclassical, particular, fanatical, self-obsessed and the result of close observation in a misty country that has longish winter evenings.’
A survey of British painters in 1961.
‘I have the sense that Vidal is frequently accused of cruelty when, in fact, he is simply being candid, a quality not greatly appreciated in a literary community which tends to view all criticism as conspiratorial or personally motivated.’
From 1981, an interview with Gore Vidal.